Stikkord: valdres

  • A night in the mountains. Part 2/2, Sunrise

    If you haven’t read Part 1, please go ahead and do so here.

    When I packed up and left the location of my sunset shoot, I had this idea that I might get the chance to do some star photography during the darkest hours of the night. But as the night progressed and I was awake quite a lot of times (if I ever really slept in the first place), I saw that it never became dark enough. At the most I could see a handful of stars, so there was no point in getting out and trying.

    Around 4 am, I drove back to where I was the night before, and I set up at the same spot. I wanted to get the first sunlight on Bitihorn, and also a shot of Bygdin and the distant mountains behind it. A sunrise was right around 5 am, I had plenty of time to find my compositions. Unfortunately, there were no clouds, only a quite hazy, cloudless sky. Therefore I needed to include more ground than sky. I settled on two compositions of Bitihorn, one quite wide and one more tight.

    I could not see the sun directly from my position, so as the sun rose, I had to take several shots just in case the light would be blocked by a cloud just at the right moment. But I was lucky, the sky was just as cloudless in the North-East as it was in the South and West. In the end, these were the two keepers, one of each composition:

    Bygdin-Bitihorn_0058_2048
    Bitihorn sunrise, tight version. Canon 550D, Canon EF-S 15-85 mm f/3.5-5.6 IS USM @67 mm, f/8, 1/5 s, ISO 100
    Bygdin-Bitihorn_0057_2048
    Bitihorn sunrise, wide version. Canon 550D, Canon EF-S 15-85 mm f/3.5-5.6 IS USM @28 mm, f/8, 1/5 s, ISO 100

    Which one do you like the most? Let me know in the comments. I’d also like to know which one is your favourite from my sunset shoot the evening before.

    I also had a nice view of Bygdin to the West from this same spot. I just had to turn 90º to my right and adjust the focal length to get this:

    Bygdin-Bitihorn_0063_2048_01
    Sunrise over Bygdin. Canon 550D, Canon EF-S 15-85 mm f/3.5-5.6 IS USM @76 mm, f/8, 1/4 s, ISO 100

    With a nice sunrise in the can, it was time to break up and head home. On my way back to the car I came by a small field of cotton-grass (Eriophorum), backlit by the morning light. I just had to get that too.

    Bygdin-Bitihorn_0070-Bygdin-Bitihorn_0071_2048
    Cotton-grass. Canon 550D, Canon EF-S 15-85 mm f/3.5-5.6 IS USM @42 mm, f/14, 1/6 s, ISO 100, focus stack.

    For this to work, I needed the whole image to be sharp from front to back. With a focal length of 42 mm that is not possible in one shot, so I focus stacked two images, one with focus on the cotton-grass and one with focus on the background. I also normally don’t want an aperture smaller than f/14.

    By now I started to feel the need for some breakfast. I went back to the car and started on my way home, intending to find somewhere to eat in the morning sun. Just past Bitihorn and Båtskaret, I found what I was looking for. A small peak in the open landscape, just a couple of hundred meters from the road, and with a parking space nearby, was bathing in sunlight. I took my breakfast and climbed to the top.

    With Bitihorn behind me and the valley of Øystre Slidre spreading out in front of me, I enjoyed one of the best breakfasts I had had in a long time.

  • A summer night in the mountains. Part 1/2, Sunset

    This summer I had a few days to my self at our cabin in Valdres, Norway. One day I decided to drive to Valdresflya, which is a mountain area just outside Jotunheimen National Park. I wanted to spend the night there, so I could get both the sunset and the following sunrise. I also wanted to sleep in my car. That was not very comfortable, but it made it easy to get up for sunrise.

    So I drove north towards the sinking evening sun. My goal was to photograph a mountain called Bitihorn, which lies as a watch post at the entrance of Valdresflya, just where the road passes through Båtskaret (Boat Pass). Nearby is also the lake Bygdin, with a hotel by the shore, another potential photo location.

    Just before the hotel, there was something holding up the traffic. It turned out to be a herd of cows on their way home for the evening, longing to get milked.

    Cows passing Bygdin Hotel, with Bitihorn in the background.

    Just after passing the cows, I noticed a low ridge to the right of the road. I thought it would provide good views of both Bygdin and Bitihorn, so I found a place to park the car, put on some extra clothes, grabbed my camera bag and went for a short hike up the ridge.

    I noticed an area with some nice yellow flowers covering the ground. In the background, Bygdin was stretching out into the distant mountains. Some nice, puffy clouds were just starting to catch colour from the setting sun, even though it still was an hour until actual sunset. This scene called for a wide angle shot with lots of depth of field. I set up my camera with the Sigma 10-20 mm f/3.5 at 14 mm focal length and an aperture of f/11. This meant I needed an exposure time of 1/10 s for the foreground. I’m not too good at remembering which graduated filters I end up using, but I think I ended up with my 4-stop hard edge filter to darken down the sky.

    Bygdin-Bitihorn_0008_2048_01
    Flowers in front of Bygdin. Canon 550D, Sigma 10-20 mm f/3.5 @14 mm, f/11, 1/10 s, ISO 100, 4-stop hard grad.

    With this first «serious» photo of the trip done, it was time to prepare for the sunset photo of Bitihorn. I found a position with a good view to the south, and sheltered from the cool wind that was starting to pick up from the north. There were also several possible compositions, both wide and more close. I switched to my standard lens, the Canon EF-S 15-85 mm. While waiting for the light, I used the 10 second timer to take a selfie.

    Bygdin-Bitihorn_0019_2048_01
    Selfie in front of Bitihorn. Canon 550D, Sigma 10-20 mm f/3.5 @20 mm, f/11, 1/10 s, ISO 100.

    I knew that at the time of sunset, at around 10 pm, the sun would be blocked by the taller mountains of Jotunheimen, so my last chance of sunlight hitting Bitihorn would be some time before that. I wanted the last light hitting the top, and as much of the mountain as possible, so I watched closely, taking a photo whenever there was some sunlight. In the end, when the light finally hit the mountain top for a few minutes, there was no light anywhere else. I had another shot that I took a few minutes earlier, with sunlight hitting a small ridge at the foot of the mountain. In the final image I blended in a bit of this one to get the effect that I wanted. I used no filters on this one, but I bracketed with two stops on either side to get both the bright sky and clouds and the shadowed side of the mountain well exposed.

    Bygdin-Bitihorn_0032-Bygdin-Bitihorn_0030_blend_01_2048_01
    Last sunlight on Bitihorn. Canon 550D, Canon EF-S 15-85 mm f/3.5-5.6 IS USM @50 mm, f/11, bracketed composite.

    It was such a beautiful night, and I was really enjoying the solitude and the quietness. There was a small river flowing by beneath me, providing the sound track. I could not hear cars passing on the road, only the occasional motorcycle. While I was sitting there and the light faded away I found myself thinking about life, the universe and everything, and as always, the answer was 42.

    Jokes aside. From time to time a car passed on the road. There wasn’t much traffic, but a few minutes between each. And the way the road winded along the foot of Bitihorn gave me an idea for another photo. A long exposure with light trails. I put on a 2-stop grad to hold back what was left of light in the sky, and also a 6-stop ND to get long exposure times while it was still not very dark. Since the cars were so few and far between, I would need to follow one car the whole way, and that meant an exposure time of about two minutes. I also chose an aperture of f/8 for maximum sharpness. I don’t remember now if I used the 6-stop on the final image, but the graduated filter is there. I’m not quite sure it was necessary in the end, though.

    Bygdin-Bitihorn_0044_2048_01
    The Diamond Necklace. Canon 550D, Canon EF-S 15-85 mm f/3.5-5.6 IS USM @65 mm, f/8, 121 s, ISO 100

    I like this image very much, I think it is my favourite from this trip. The light trail reminds me of a diamond necklace, framing the peak of Bitihorn.

    By now it was almost getting dark. There was just enough light to find my way back to the car. I drove a few kilometers further, then I found a parking lot and tried to get a few hours of rest before sunrise.

    If you have been with me so far, then please stay tuned for Part 2, about the following morning’s sunrise shoot.

  • Lørdagsdykk i arkivet: Vårløsning i det små, Valdres 1995

    Våren er over oss for lengst og det grønne tar over for det brune og grå. Dagens arkivdykk er fra slutten av mai 1995. Snøsmeltinga i fjellet går mot slutten, det er små bekker overalt og nytt liv spretter opp så en nesten kan se at det vokser.

    Kameraet er et Minolta XG-7 speilrefleks med Soligor 28mm objektiv. Bildet er scannet fra 10×15 cm papirkopi.

    Engadn 19950527